Peggy Dougherty

peggy@peggydougherty.com

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“Success and failure are equally disastrous." Tennessee Williams

Peggy Dougherty’s full length comedy  FROM BED TO  WORSE was the winner of the Grand Valley State   University National Playwriting Competition 2000 and a finalist in the Brigham Young University 2001 National Playwriting Contest for Women.

Peggy's trilogy of one-act comedies, MOTHERLOAD, was a semi-finalist in The Writers Network Fiction and Screenplay Competition 2001 (stage play division). 

Peggy’s one-act comedy “Things That Go Hump in the Night? was  selected by Theatre Southwest in Houston for its Festival of Originals where it had a full production in July and August of 2003.

Peggy's full length drama Briefly Amanda was selected for the Fullerton College Playwrights Festival 2005.  

Peggy’s ten-minute play Strange Bedfellows won Second Place in the Claire Donaldson Short Play Competition  at Augustana College, was selected for a staged reading at The Last Frontier Theatre Conference 2005 in Valdez, Alaska, appeared in the Herring Run ArtsFest, Middleborough, MA and in Estrogenius:  A Celebration of Women's Voices at Manhattan Theatre Source, New York City,  in September, 2005. 

Peggy was the first place winner of the Loudest Laf! Laurel National Humor Writing Competition. Her romantic comedy Love Takes Turns was a finalist in the National Writers Workshop Screenplay Competition. Peggy is a member of The Dramatists Guild of America, Inc., The Alliance of Los Angeles Playwrights, New Voices, Actors Alliance of San Diego, and Scripteasers.  


FROM BED TO WORSE:   A psychologist slips over the edge when her young, gorgeous new client describes an affair with a married man who sounds suspiciously like the psychologist’s husband.

Misperception, mistaken identity, miscommunication, and mishap after mishap abound in the full length comedy From Bed to Worse.  The six characters   (3M, 3F)  reveal and discover themselves as they pursue and seduce each other.

From Bed to Worse has had full productions at World Premiere Theatre in Eureka, CA (2001) and Patio Playhouse in Escondido, California April 1-24, 2005.  From Bed To Worse  has had staged readings in Carlsbad, California, Grand Rapids, Michigan, Boca Raton, and New York City.


MOTHERLOAD:  Mothers and daughters confide and collide in Motherload, a trilogy of biting one-act  comedies about 'enduring' family ties.              

"News"  “Tight Genes" and “Motherload " constitute the trilogy, Motherload.  In "News",  a twentysomething daughter’s news is upstaged by her mother's bigger news.  "News" was selected for the Fritz Blitz Festival of New Plays 2000. "News" has also had productions at The Looking Glass Theatre, New York City, December, 2002 and at the Vanguard Theatre, Fullerton, California,  July, 2005, as part of the New Voices Festival of Short Plays.  

In "Tight Genes",  fortysomething Rose trades truths and slings zingers with her wisecracking mother in an exchange which transforms their relationship.  "Tight Genes" won Third Prize in the Pen and Brush 2004 National Playwriting Contest. "Tight Genes" was selected for the Actors Alliance Actors Festival 2001 and was performed at St. Cecilia’s Playhouse in San Diego in May, 2001. "Tight Genes" had a staged reading produced by American Playwrights Theatre at Mid-Manhattan Library, New York City on April 22, 2002.

In the three generational "Motherload", fortysomething Dora and her daughter Natalie struggle to find separate identities, as well as escape the Juggernaut of Nora, the redneck Grandma.  "Motherload" was selected for the Samuel French Short Play Festival 2002 in New York City.

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The trilogy  Motherload has a running time of 90 minutes.  The seven female characters can be played by as few as three actors (mid 20s, mid 40s, mid 60s).   Each play uses the same, simple set.

   

 

Heidi Baker is a  20 year old single parent whose unacknowledged addictions compromise her judgment and cause her to unwittingly risk that which matters most.

    "You have to know how to accept rejection and reject acceptance."                   Ray Bradbury